Canon XH A1 1.67MP 3CCD High-Definition Camcorder with 20x Optical Zoom | List Price: $3,999.97
Discount Price: $3,299.95
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Brand: Canon
Binding: Electronics
Release Date: 2006-10-30
Features: - Captures true 1080 resolution, widescreen (16:9) HD video
- 2.8-inch widescreen LCD monitor; .57-inch viewfinder
- 20x HD zoom lens; Super-range optical image stabilization
- Three 1/3-inch 16:9 CCDs (1.67 megapixels)
- DIGIC DV II HD image processor
Happy Man [Posted on 2008-07-03]
I love this Camera, as soon as I can afford it I will get another one.
One of the best Prosumer cams [Posted on 2008-07-07]
I own it. I use it a lot. 9 months now and it's still working fine. No drop outs on the tapes and I've put it through some challenging climates as well as racking up significant hours shooting and digitizing.
I like that it shoots tape, as that's what my clients demand from me (it's the reason I had to buy this particular HDV cam in the first place) and I can buy stock anywhere in the world (and have). However, with the cost of digital storage these days, the cams that offer recording field footage on advanced flash cards start looking like a really nice option as it bypasses the issue of tape mechanism breakdown as the hours usage starts to add up.
My first week of shooting with this cam in Beijing I suffered through a chinese dude stumbling into my gear and basically sitting on my XH. The mic broke right off. It's not attached with a sturdy mount, just internal plastic with a lot of play, so if you're doing extensive run and gun you might want to consider that. It sticks out there and is vulnerable. I use an external shotgun anyway, so while I was sad to see the mic break off, it doesn't affect my work.
I don't really like the image chip presets/defaults on the camera, very bland, but they're easily changed and one can do endless tweaks for the settings that work best for you and your style. I do a fair amount of work for live music acts, and the ability of this camera to counter-balance the heavy red light typical of live venues has been a blessing. Also, there are plenty of users out there that share their chip settings and downloading them from the net and putting them on your own XH A1 is pretty easy. Many many things are user programmable on this camera. Color settings, gain settings, focal ring sensitivity, zoom speed, etc. I use the camera exclusively in manual mode, so these controls are ideal.
I find that editing HDV on my FCP system has been almost as fluid as my DV projects. It's ever so slightly bogged down by the necessity to do on-the-fly time-code calculations due to the nature of the codec, but it's very negligible. In fact, because of HDV, FCP defaults to a nice real-time capture process that I like --where it grabs clips individually rather than consolidated (as on DV). So that's a nice bonus!
As far as the limitations of HDV, Yes, they exist. Big deal. I don't understand the logic of folks that bash the codec/format. If you don't know what the HDV format is all about, then chances are you're not shooting as a true pro, and you're working the middle ground in some way (and there's lots of work in that part of the market) so what's the worry? The color sampling is highly compressed. Yeah? And if you were doing a real shoot that required serious green-screen or some such, something tells me you'd have the budget for gear north of 3k. Sheesh. Otherwise, your gonna get a cam that has the capability of creating really nice motion picture images that's ridiculously affordable. And, if you're an aspiring pro or a motivated enthusiast, you're going to find that your skills and ambitions will allow you to push this camera to really high levels of image quality.
Basically if you know what you're doing the camera will deliver. Keep in mind that ANY camera in the same budget can and will accomplish the same.
Great for Run and Gun Videography [Posted on 2008-08-07]
While the XH A1 does have its drawbacks (4:2:0 color space of HDV, etc), the price, light sensitivity, great picture quality, and light weight more than make up for them.
I use the camera on a daily basis filming run and gun "man on the street" style interviews and sequences and I couldn't be happier with the choice. While a tapeless workflow is being touted as the future, and no doubt is, there's something nice about being able to label and file away your original tapes and rest assured that your footage is backed up regardless of what happens on the workstation.
Highly recommend this camera over the competition in this relative price arena, especially for individuals who do a lot of run and gun with only available light.
How to reduce noise in stills [Posted on 2008-08-11]
I think this is a great camera. I don't have anything to add to what others have said about its video performance, but can share some advice about getting the best stills. I use the camera for photographing orchestral performances, and value it for its silent shutter when making stills.
First, set the recording device to tape, even though you're recording the stills to the SD card. When the recording device is set to card, the camera has an annoying (to the photographer and to the musicians) fake shutter sound. Second, turn off AGC and set gain to 0; that will keep the noise down. Turn on the zebras, set the trigger level to 95, and give it as much exposure as you can without blowing important highlights. You can use the lens wide open at the shorter focal lengths, but stop down a stop at the longest, if there's enough light.
Used this way, you'll get good mid-tones, and minimal noise in the shadows.
They Charge for the Crappy Software [Posted on 2008-08-12]
Don't believe the Canon brochure. The software doesn't come with the camcorder. You have to download the trial version, and then they try to sell it to you. Don't bother with it. It's poorly written and has drivers untested with Windows. But you can use it to do a "Preformance Test" of your hard drive. The camcorder is great, but I'm giving it 1 star because Canon lied, though Amazon didn't.
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